When delving into the realm of Pakistani cinema, one can discern the unfolding narrative shaped by the industry’s post-COVID-19 challenges. Despite these trials, a glimmer of optimism emanates from film festivals, acting as beacons for Pakistani filmmakers seeking global recognition and acclaim for their artistry.
Sarmad Khoosat’s cinematic prowess reached new heights with his film Kamli – released last year, earning him the prestigious Best Director award at the DC South Asian Film Festival. This celebrated festival has firmly established itself as a cultural cornerstone in Washington, D.C.’s annual calendar, showcasing the finest contributions to global alternative cinema from a diverse array of nations, including India, Pakistan, Afghanistan, Bangladesh, Nepal, Bhutan, Tibet, and Sri Lanka.
Kamli stands as a testament to the power of narratives that transcend geographical boundaries, resonating with audiences in the international melting pot that is the DC South Asian Film Festival.
Celebrating his win, Sarmad Khoosat shared the award on Instagram, with Khoosat Films’ official handle also featuring it on their Instagram Story. Congratulations poured in from fans and celebrities like Sarwat Gillani, Tooba Siddiqui, and filmmaker Jawad Sharif. Actor Omair Rana, a key cast member, also commended Khoosat.
In Mississauga, Canada, Sania Saeed, was honored with the Best Actress award at MISAFF as she portrayed the blind character Sakina in Kamli. The film, featuring an ensemble cast including Saba Qamar, Omair Rana, Nimra Bucha, Adeel Afzal, Iman Shahid, and marking Hamza Khawaja’s debut, continues to receive acclaim.
In the face of adversity, Pakistani filmmakers like Khoosat persist in pushing creative boundaries, demonstrating an innate ability to produce narratives that resonate globally.
While talking about the movie earlier, the main lead, Saba Qamar told Arab News, “People are realizing we can move beyond cliché themes and produce issue-based scripts too.
“This is the right time that we start making issue-based movies that have a message besides entertainment … We can no longer say our audiences aren’t educated enough to appreciate unconventional themes.”
“Kamli does have elements of what the screen formula is considered to be, but we didn’t adhere to a formulaic story. It is an unusual genre that is usually not there in the subcontinent,” Khoosat said. “Kamli has its own original language to it. So, this kind of recognition matters.”
The international stage, through film festivals and digital platforms, continues to serve as a sanctuary where Pakistani cinema can thrive, finding appreciation and applause beyond the confines of local constraints.
