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Ehd-e-Wafa Finale To Release In Theaters A Day Earlier Than Television Screening

ehd-e-wafa in cinemas

One of the most ambitious small screen ventures in recent times, Ehd-e-Wafa is set to premiere its finale episode in selected cinemas across the country. The Saife Hassan directorial joins the elite club consisting of Pyarey Afzal and  Mere Paas Tum Ho which got their last episodes a big-screen release in 2014 and the current year, respectively.

The twist

The finale episode will be screened in cinemas a day prior to the satellite and digital release. While the drama will be concluded for regular television and digital audience on Sunday, 15th March, the cinema release is scheduled for a day earlier on Saturday,14th March.

The team has decided to do this to cash on the craze for the drama as it builds momentum towards what is expected to be a strong finale. The team also wants the cinema experience to be spoiler-free. A special announcement trailer will be released tomorrow (27th February) at 3 PM confirming this news. This is surely exciting news for Ehd-e-Wafa fans.

Win-win trend

Earlier this year MPTH received record-breaking advance bookings followed by an earth-shattering opening at the cinema houses across the country. Pyarey Afzal was also screened on a handful of screens and did well for its time. Now Ehd-e-Wafa is also expected to do well in its limited release. 

It is interesting to observe that while all the big-budget Pakistani films are eyeing on the Eid release slot, owing to the industry’s obsession with festive weekends, it is television shows that have decided to cash in on the theaters in regular days. It wouldn’t be surprising even if Alif joins the bandwagon in the coming months. Alif has been shot on a film-camera and will be a treat for Hamza Ali Abbasi, Sajal Aly, and Kubra Khan fans if the team decides to follow the trend. 

This trend is not just good news for the people involved but also bodes well generally for the film exhibition business, which is bound to experience increased footfalls because of the hype the show and its theatrical release is expected to attract.

Recently the drama has been trending on social media for a series of emotionally charged sequences such as the one between Shehryar (Ahmed Ali Akbar) and Khursheed (Muhammad Humbal) in jail followed by Saad (Ahad Raza Mir) and Dua’s (Alizeh Shah) Wedding. The next episode is also going to be high on emotions with Osman Khalid Butt’s Shahzain confessing to his grandfather regarding his mistakes.

Final verdict

Team Ehd-e-Wafa is also planning a special screening for the cast and media fraternity in either Lahore or Karachi. The cast boasts of some of the most promising and talented names in the industry such as Ahad Raza Mir, Osman Khalid Butt, Wahaj Ahmed, Ahmed Ali Akbar, Zara Noor Abbas, Alizeh Shah, and Hajra Yamin, providing ample star power for the big screen experience. 

Keep checking this space for exclusive updates. 

Is Khalil-ur-Rehman Qamar Bad News For ‘London Nahi Jaunga’?

london nahi jaunga

It goes without saying that London Nahi Jaunga is one of the most eagerly anticipated projects this year. The project is not only star Humayun Saeed and director Nadeem Baig’s fourth collaboration after three trend-setting blockbusters, but it will also have the duo returning fresh off the success of record-smashing television show Meray Paas Tum Ho. Upping the expectations further will be the addition of new stars to its cast and the British setting which promises to add more twists and drama to its storyline.

With so much working in its favor, are all the pieces in the infinitely complex puzzle called filmmaking once again destined to fall into place to deliver another Punjab Nahi Jaungi?

While almost everyone from LNJ’s 2017 prequel has witnessed new career highs in the years that have followed, there just might be one pitfall that may affect the film’s prospects. Writer Khalil-ur-Rehman Qamar was catapulted to overnight stardom for his powerful dialogues in Punjab Nahi Jaungi. However, that was three years ago and since then, quite a bit has happened. The writer, for one, has come out quite openly with his shocking misogynistic views and has also sent bizarre messages to the industry – and his fans – in prolonged, emotional rants that have often trashed actors he has been working with. And while the script he wrote for Meray Paas Tum Ho may have delivered earth-shattering ratings, the play has also attracted much negative attention from influential commentators and critics, including a piece in The Guardian, for themes that were seen as reinforcing patriarchy.

Also worth noting is that audiences and critics may have forgiven the archaic gender commentary in Punjab Nahi Jaungi, but this time around, its sequel will be in the spotlight to assess if Humayun Saeed and co. have been able to tame the writer’s worst instincts, or not.

Don’t get us wrong though — we are not doubting Khalil sahib’s superlative dialogues. While he has indeed mastered the art of crafting characters and penning dialogues that keep audiences glued to the screen, and even questionable plot themes can be addressed by the film’s team during its production, what no one has control over is the writer’s blunt opinions and statements, which he has fearlessly voiced on numerous occasions, to the dismay of many.

Could Six Sigma Films and ARY Films, the producers of London Nahi Jaunga, be courting a potential PR nightmare? Let’s take a flashback.

Controversial interviews

In his most recent interview talkshow host Waseem Badami asked Khalil sahib about actress Sonya Hussyn’s decision of turning down his last venture, MPTH on account of its perceived woman-bashing contenting. In his trademark manner, Khalil sahib responded by criticizing Sonya and saying that she did not have the caliber of being a heroine for his script.

He also claimed that he gives the final nod for casting and no one can be a part of his project unless he permits. He also defined his problematic ideology of “achi aurat” and claimed that a good woman has the power of refusing while a man doesn’t have the capability of refusing advances from the opposite gender, according to him. Former model and host Iffat Omar called out the writer for his bizarre views on rape, also mentioning the writer’s inflammatory comments where he said that women should commit “retaliatory rape” and that a woman without modesty is not defined as a woman.

Disparaging remarks

The writer also termed Eshal Fayyaz, the leading lady of his debut big-screen directorial venture, Kaaf Kangana a “second rate woman,” according to press reports which he later outrightly denied. He allegedly made the comment when rumors of his secret marriage with her surfaced on the internet. Previously, he bashed and promised never to work with industry veterans such as Mehmood Aslam and Saba Hamid, although the irony is that she plays a pivotal role in London Nahi Jaunga.

And then there were those derogatory comments on Udaari fame starlet, Urwa Hocane when the actress opted out of his film Kaaf Kangana. He humiliated the actress publicly by saying that she “begged him” (his words, not ours) for the role in Kaaf Kangana and vowed never to work with the actress again, which apparently also cost her the film London Nahi Jaunga (Urwa had a supporting role in Punjab Nahi Jaungi). Apparently, it is Kubra who has replaced her in the franchise.

Actor Rehmat Ajmal who played a supporting role in MPTH, distanced herself with the project following Khalil sahib’s mindboggling interviews. Also, a section of critics and media has voiced out their issues with Khalil’s blunt statements and misogynistic views which might affect LNJ’s reviews and promotions. Celebrities such as Osman Khalid Butt, Armeena Rana Khan, Ushna Shah, Meesha Shafi, and Eman Suleman all took it to social media to voice their disappointment on Qamar’s statements.

Worst fears

The trade fears that the discussion about the project might be distracted by Qamar’s association as now the film is very much on the radar of the progressive segment, something which can dampen the film’s pre-release buzz and its potential box-office collections or critical reaction. MPTH received flak from a section of netizens because of Qamar’s involvement with the project, the same might happen here, and it’s all the more critical as LNJ will be facing off another biggie Quaid-e-Azam Zindabad starring superstars Fahad Mustafa and Mahira Khan.

London Nahi Jaunga is currently being filmed in Punjab. The team will take off to London in April for a month-long schedule. We do hope the film’s production team will have taken great care to address any potential concerns from the audience, and that it’s pre-release process turns out to be a smooth one.

In case it doesn’t, you heard it here first.

Clash Of The Divas: The Complete History Of The Sonya Hussyn And Faryal Mehmood Feud

Sonya Hussyn Faryal Mehmood

The leading lady of the recently finished Ishq Zahe Naseeb, Sonya Hussyn made news when she talked about how she had refused the lead role in the blockbuster drama Mere Paas Tum Ho in an interview. Citing the reason that she did not want to contribute to a drama that degraded women, especially in a society which is already so hard on the gender, Sonya’s comments received much applause on social media. A well-reputed actress being aware of the impact her chosen roles can have on the society’s mindset is something that is rare in the industry. It reflects the mindset of a self-aware person who realizes the importance of women standing up for women.

‘Who is Faryal?’

Then, a couple of days ago in another interview with a news channel, Sonya was placed in the spot and pointedly asked about fellow co-actor Faryal Mehmood. Sonya narrowed her eyes and with a pensive expression she replied that she did not know of any such actor.

Well, it’s not a big deal. Actors don’t have to know everyone in their fraternity. But it is definitely fishy that Sonya refused to acknowledge an actress with whom not only has she worked before but also shares a somewhat tumultuous backstory with.

Friction on first project together

Let’s rewind back all the way to 2015. Sonya and Faryal worked together in a drama Farwa Ki ABC, which was directed by Sohail Javed. Sonya played the titular character of Farwa in the show. Faryal, on the other hand, had just started her acting career and played a supporting role in it.

Co-stars not sharing a friendly equation is not unheard of in the industry but it is definitely uncommon for an actor and director to openly diss another actor’s work on social media.

‘Take a rickshaw to where you came from’

In a Facebook status made by Sonya Hussyn, the actress made fun of Faryal’s new project. Joining in the mockery was Sohail Javed. In the comments exchanged between them, Sonya and Sohail not only made fun of Faryal’s upcoming drama but also body-shamed her.

Not to sit silently, Faryal shared the screenshots of the comments made by the actor-director and made a Facebook status of her own where she called out Sohail Javed for allegedly wanting the attention of women half his age and attributing the failure of the drama Farwa Ki ABC on his failure as a director. She even called Sonya a “sad version of Micheal Jackson” because of her supposedly using make-up foundation a shade lighter than her skin tone.

Not stopping here, Faryal also called out Sohail on his crassness because of the abuse he hurled at her and suggested Sonya to “take a rickshaw exactly back where she came from” to get a reality check, in what was a not-so-subtle slight at Sonya’s social background.

Sohail’s Sorry

Sonya and Sohail did not respond to this post and all seemed forgotten. Then Sohail Javed announced his feature film Sorry and among the cast, Sonya Hussyn was included as one of the main leads. However, Sonya ended up walking out of the movie and she was replaced by none other than Faryal Mehmood.

With such old and not-so-old history between the two actresses, it is rather strange that Sonya could not recognize who Faryal Mehmood was when asked about her on national television. What is similarly weird is how Faryal is going to be an integral part of Sohail Javed’s film when a few years back he was a director who “sucked.”

Final word

Is the industry really such a fickle place that an actress who was verbally abused and body-shamed by a director a few years ago, that too publicly, so easily agreed to work with him again? Granted the fate of Sorry looks sorry but it definitely is a point worth pondering on.

Maybe Sonya being unable to remember who Faryal is her way of forgetting this ugly past or maybe the selective amnesia really did happen. Either way, this was not a very tasteful of tackling this issue. Oh well, maybe Sonya will soon learn to actually support women in real life and not just with her choices of roles on screen.

Hurricane Maula Jatt Set To Hit Theaters: Official Release Date Finally Announced

the legend of maula jatt

It’s been a while since Pakistani cinema experienced a legitimate khirki torh opening at the box-office. While most big-ticket Eid ventures have enjoyed a solid opening over the past decade, the craze, anticipation, and hype which translates to a 100% opening on the first day of Eid has only been witnessed on a few occasions, and that too mainly in the three key urban centers. The problem is compounded by the fact that the first day usually witnesses a relatively low turnout owing to most people being busy with the festivities.

However, that just might change now that the makers behind The Legend of Maula Jatt have formally announced the film’s release date. The Fawad Khan, Mahira Khan and Hamza Ali Abbasi starrer is all set to release over Eid-ul-Fitr, bringing to culmination its arduous journey littered with legal minefields starting all the way back with the initial announcement by Bilal Lashari in late 2013. Producer Ammara Hikmat posted an Instagram picture captioned ‘The Legend of Maula Jatt, Eid 2020.’

https://www.instagram.com/p/B83xzzEBU22/

About two weeks back, producer of the 1979 original Maula Jatt announced in a public statement that he was withdrawing the legal cases against the film, however, the subsequent silence from Team TLMJ had puzzled industry observers given the urgent need for publicity and release date confirmation for the film. With that out of the way, the next challenge for the film is to up its marketing game and move beyond cursory social media announcements to build the buzz needed for that khirki-smashing opening. However, given the film’s lengthy history, one would tamper the high expectations of a marketing blitz.

In a redux of what took place last Eid-ul-Azha, the film’s release plans will once again draw the ire of the industry as Tich Button and Fast and Furious 9 are already slated for the same Eid-ul-Fitr window, with release dates formally announced by their distributors. Also affected will be Half Fry and Lafangey: Chapter 1. Despite packing the country’s biggest stars and carrying the nametag of a historic blockbuster, it seems filmmakers simply do not want to release films on regular, non-Eid days. And if such a project cannot take the risk (minimal for TLMJ) of releasing on a regular weekend, how can one take issue with every other filmmaker who also wants to line his or her film up for the Eid holidays?

Given the amount of time the makers have spent on the project, expectations will be rather high and it remains to be seen to what extent the project will deliver. We wish Team TLMJ the best and will be keeping you posted about this hot and happening project, now that it’s finally releasing.

Here’s How Pakistani Cinema And PSL Can Benefit From Strengthening Their Relationship

PSL Pakistani cinema

With the dramatic improvement in Pakistan’s security profile over the past couple of years, the country’s socio-cultural scene is also witnessing an equally proportional boom. This encompasses sports, culture, cinema and a host of other fields. The world over, significant spillover effects are observed whenever one of these fields witnesses a boom; the growth of one field inevitably leads to interdependent growth spurts in other cultural domains. For example, the South Korean arts and culture scene has collectively benefitted from the recent craze for K-pop and now, the country’s cinema.

With Pakistan Super League’s fifth edition just kicking in the country is also experiencing fever-pitched craze for the spectator sport as it’s going to the maiden edition of the country’s biggest cricket festival at home ground. PSL may affect the flow of already scarce cinematic releases however it isn’t shying away in taking Pakistani cinema and showbiz to glam up the exciting event. What’s really interesting is that both PSL and Pakistani cinema have observed an almost parallel growth over the past few years and the involvement of local stars in the event has only increased over the past few years. Except for Lahore Qalandars every PSL team has major Pakistani film/showbiz star on board as their brand ambassadors.

Active celebrity involvement

The list is as versatile and colorful as the number and background of PSL teams itself. It is difficult to say which team has more star power associated with it. While on one hand, Karachi Kings has the king of Pakistani Box office Humayun Saeed and the popular superstar Fahad Mustafa along with singer Shehzad Roy, Peshawar Zalmi have big names such as Hania Amir and Mehwish Hayat associated with them. Joining them are Mehrunissa V Lub U star Sana Javed and popular Pashto Singer Gul Panra to raise the spirits of team Zalmi, whereas Hamza Ali Abbasi and Mahira Khan also actively support the team. Not to be left behind, Islamabad United also has had country’s hotcake Fawad Khan and the talented Momina Mustehsin donning their sports kit.

On the other hand, Multan Sultans have an interesting mix of artists and media persons that include the likes of the hot Neelam Munir with Javaid Sheikh and Momal Sheikh as well as actor Sadia Khan and televangelist Amir Liaquat Hussain. Quetta Gladiators seems to follow similar footsteps with a list of brand ambassadors that include the Superstar hero Bilal Ashraf and Teefa In Trouble’s Maya Ali. Also supporting the Gladiators are rising names hailing from Baluchistan that include Kaleemullah Khan, the headline-grabbing footballer from Chaman and Ahmed Mujtaba, an incredible MMA fighter based in Quetta who turned a lot of heads recently.

Team anthems

Being the brand ambassadors of various teams isn’t the only way Pakistani stars are involved in PSL. Every team releases its official anthem featuring a major star of the country. Peshawar Zalmi’s official anthem by Peshawar based band Fortitude deserves a special mention which has Jaanan and Parwaz Hai Junoon star Hania Amir alongside the superstar Mehwish Hayat. The song not only is highly catchy and energetic, but the high octane performances by the stars also make it all the more exciting. In the past singers like Rahat Fatah Ali, Ali Zafar, Call (Junaid Khan) and a multitude of others have contributed to the official anthems of different teams and this year is no exception.

Symbiotic relationship

Apart from adding to the glamor quotient in the event, the presence of these stars also increases the excitement for viewers and fans of PSL teams, bringing the much-needed relatability to the country’s biggest cricket festival which also, in turn, gives more exposure to Pakistani showbiz and cinema scene.

However, the extent to which the PSL platform could be used to promote Pakistani cinema is still limited as the cooperation between the two fields is in its teething phase. The PSL platform can be an effective tool to market Pakistani cinema to the masses, given its countrywide viewership and the fact that celebrities are already associated with endorsements for the franchise. In previous years, films like Bachaana (Sanam Saeed and Mohib Mirza) have been promoted using PSL’s podiums. Both the leading stars performed at the opening event which also made Bachaana the first film to be promoted via PSL. Ali Zafar’s 2018 blockbuster Teefa In Trouble also very cleverly used the event to launch and promote Teefa‘s teaser trailer. Slick and well-choreographed show-stopping performances by superstars can contribute tremendously towards increasing the buzz for their upcoming productions and also dramatically boost the appeal of the tournament just not among men, but also women.

Final word

Pakistani filmmakers and marketing personnel should, therefore, cement their involvement with PSL to utilize the platform to promote their films, which will also have the added benefit of giving the Pakistani cinema brand more visibility and acceptability. Active involvement of cricketers in film promotions could further contribute towards raising the profile of local film productions among the masses, also helping them know what films coming out. The eventual goal should be to accord cinema with the same craze and hype as cricket.

PSL and Pakistani cinema can serve to be the linchpin of the country’s re-energized sociocultural scene, and with strong expected growth in both the tournament and cinema, both are well placed to benefit from each other.

Are Mawra Hocane And Ameer Gilani The Next ‘It’ Couple?

Mawra Hocane Ameer Gilani

Hold your breaths: Mawra Hocane and upcoming star, Ameer Gilani, may just be the new ‘it’ couple in K-town. But before you invest too heavily in this news and get to work crafting their couple name (Mawmeer is probably a safe bet, though), keep in mind that neither Mawra nor Ameer has officially commented on their relationship status.

From what we have learned both the good looking individuals are close friends who are going to be sharing screen space in an upcoming television serial ‘Sabaat’ which also stars Usman Mukhtar. But the way to two have been behaving over social media and whatever little we have seen from the sets of the show, the spark is very much there.

The social media speaks for itself?

While we are at this, worth noting is that the Sammi starlet has always kept mum about her love life, even when her name was linked with her previous co-stars. Not so much anymore, it seems. Mawra posted this picture on Valentine’s Day with her caption headlined by the phrase “wrapped in love.” And then they are all over each other on Instagram. While Ameer is not too active on social media, Mawra has liked practically all his Instagram posts and happens to be his avid follower.

https://www.instagram.com/p/B7dg04yAu7y/

With the two maintaining their silence while the grapevine continues to buzz about their supposedly blossoming romance, it would be useful to take a trip down the memory lane. Mawra and Ameer shot together for an apparel brand in 2019, and that was the moment when the two hit it off on a high note and built a solid professional equation. The duo will now be sharing screen space in the upcoming project ‘Sabaat’ which goes on air soon.

The perfect match?

Ameer hails from Karachi and gained recognition for his leading role in HUM TV’s Log Kia Kahenge (2018). Talking about the qualities he finds most appealing in a woman, he told a local daily: “Intelligence, carries herself well and has a lovely smile.” Mawra, with her poise and a million-watt smile, fits this description rather well, so we are hardly surprised here.

Going as far back as 2018, while promoting her film Jawani Phir Nahi Aani 2 Mawra had confessed about being in love at that point in time. Revealing her romantic side, the starlet had said: “I think it’s great to be in love. One should always be in love or it’s a life wasted.” On being prodded about the name of her beau, she said, “You know there are a lot of consequences or I would have happily told you who it is.” In this heartfelt interview, she also shed light on the quality that her man should possess. “I would want to be with someone who has that drive in his life for doing something he loves, I don’t want to have someone in my life who lacks passion because only by having a passion for what he loves to do would he understand my passion for doing what I love. That’s most important to me.”

Final word

It’s 2020 and we believe actors shouldn’t be afraid of public judgment for their partners or relationships anymore. Celebrity dating culture has come a long way in Pakistan, and gone are the days when actors would hide their marriages or relationships for their professional gains, as today the millennial lot believes in being less secretive about their love life and flaunt their partners on the red carpets of award functions, social media PDAs or magazine covers. Celebrity couples Hania Amir and Asim Azhar, Noaman Sami and Alizeh Shah, and Aima Baig and Shahbaz Shigri are all the rage now and have been largely accepted by the masses.

Stay tuned to Galaxy Lollywood for more details on the hot and happening Mawra Hocane and Ameer Gilani! Let us know what you think about the duo, in your comments below!

With MPTH Over, Alif Is Finally Getting The Hype It Deserves

alif meray paas tum ho

Drama serial Alif was one of the most anticipated dramas of last year. There was much to be excited about this drama with regards to its cast and the team behind it. When we consider the fact that the drama’s novel already had a very successful run, Alif had already gained fans before the show even went on-air. However, when the show did go on-air the reception it received was slightly underwhelming.

The Hamza Ali Abbasi starrer got a premiere date which set it up to be a direct competitor of Mere Paas Tum Ho. The kind of mammoth success that MPTH turned out to be is something that won’t be forgotten easily. And that success ended up dampening Alif‘s chances of being in the spotlight. Alif being a more nuanced show with deeply spiritual themes as well as top-notch acting and direction was in a different category altogether compared to the mass-oriented MPTH. Despite its top-notch cast, production values and storyline, it simply couldn’t get the kind of hype it deserved.

Nevertheless, now that MPTH is over the spotlight is back on Alif with the show finally getting the attention and hype it deserves. This is all the more relevant since it is now reaching the most exciting point in its storyline, hence now is the perfect time for the audience to be invested wholly in this gem of a show.

AlifAlif setting an example

One of the strongest and most inspiring thing about Alif is the way it has treated its female protagonists. In the time when most of the dramas written tend to pander to stereotypes about women — either as crying damsels in distress or scheming villains, Alif has given its female protagonist Momina, played superbly by Sajal Aly, the kind of characterization and journey which is both inspiring and a need of time.

The female protagonist is depicted sensitively; something we cannot say for many of our dramas. An aspiring actress with no will to be in the profession, Momina Sultan only works hard day and night to earn money to tend for her brother’s medical treatment. Despite having a man in her life who offers to help pay for the hospital bills, Momina is shown to be level headed and firm in her decision to not take help from anyone, even if that is the love of her life. A woman of principle, who chooses to fight her own battles without falling into the bechari aurat trope is definitely a plus for Pakistani dramas.

When her brother succumbs to his illness, Momina does finally get engaged to her beau Faisal. However, when she tells him that she is offered a project in Hollywood, he leaves no stone unturned to humiliate her profession. Gladly, Momina takes matters in her own hands and breaks up the engagement with Faisal. A woman takes a stand for herself and works hard to prove her self worth rather than charting the convenient path by seeking a wealthy partner – a complete opposite of Ayeza Khan’s Mehwish in MPTH.

Fast forward to the present day, when Momina is successful, Faisal, the man once in her life, is shown to be an opportunist and social climber, trying to get into Momina’s good books, while Momin, on the other hand, tries to accuse Momina of an affair with his assistant Daud. It is refreshing to see Momina not give in to the jealousy and envy of both men and instead, knowing how to put them in their place as is needed.

The play offers hope to women that they need not be merely sidekicks to men in their lives, as it is quite possible for them to achieve their desires and goals by the dint of their hard work and talent. The path to riches need not necessarily go through marriage to a rich suitor.

Final word

The writer of Alif, Umera Ahmad deserves all the kudos for the dignity with which she has crafted her on-screen characters. Whereas flawed writing can quite easily be spotted and criticized, here the nuanced and sensitive work of Umera Ahmad deserves to be given the credit, for it shows that a populist narrative that attacks women as “do takay ki aurat” is not the only way to gain television ratings. A well-crafted, balanced script can do the job just as well.

With So Much Love Around, Why Is Romance Dead On TV?

pakistani dramas romance

Pakistani television has been actively diving in the various social issues that are prevalent in our society for quite some time now. However, while dealing with these rather heavy-duty issues it seems like our drama content has missed out one of the most universal emotions to exist – love. This is rather ironic considering how our audience continues to consume and celebrate any form of an inspiring love story shown on television.

Almost every year there is a reigning jori that shoots to popularity not just because of the chemistry the actors share but because of how convincingly they manage to portray the emotions of love between their characters. Even if some of the top most rated dramas of the year all have the same themes of saas-bahu scheming and a poor bechari aurat crying buckets of tears as she endures all imaginable hardships, the most memorable dramas are almost always the ones with a love story at the center of it all.

So why are we still waiting for a pure love story to be show on television?

More acceptance for romance?

The idea of love and romance in Pakistani society is still a topic that can agitate a lot of people. Just look at how the top-trend on Twitter on 14th February was calling people to boycott an immoral event like Valentine’s Day. But love continues to bloom and with so many of our celebrities using their social media presence to shower love and attention on their significant others, there is now emerging a more tolerant reaction towards love.

Unfortunately, Pakistani dramas do not reflect this trend. The love which can be inspiring and uplifting is very rarely found on TV. Even if a drama starts with a so-called “love story”, it takes no time in changing gears to become yet another miserable tale that proves the inadequacy of love. Local content tends to place more emphasis on relationships between married couples and any drama that is based on a married couple would naturally be more about the countless domestic difficulties they face.

Tears and more tears

On the rare occasions when a drama shows a healthy relationship between a husband and a wife that proves that love is a beautiful emotion that is uplifting and inspiring (Khaas, Cheekh), the end of such drama turns out to be a tragedy. It is almost like our dramas are perpetuating the idea that the easy, comfortable, uplifting, healthy love between a man and a woman just cannot exist within our universe! Pyar zinda rahega? Not really, according to our scriptwriters. The more tears, the better the ratings goes the mantra — and Meray Paas Tum Ho is a case in point.

With one miserable story after the other occupying much airtime on television, we have to take solace from the Instagram accounts of our favorite stars. Because while the characters they play on-screen might have us telling that love and romance are not to be pursued, their off-screen actions prove otherwise.

So much love off-screen

Danish Taimoor and Ayeza Khan have kept their romance alive and beautiful despite the years, and it can be seen in the pictures they share. The newly wedded Iqra Aziz and Yasir Hussain blissfully spent their honeymoon period and are not shying away from showing it to the world. Or the youngsters Asim Azhar and Hania Amir who recently made everyone swoon when Asim threw a thoughtful surprise birthday party for Hania. Even the usually shy about-to-be-married Ahad Raza Mir and Sajal Aly can be seen indulging in some adorable PDA on their social media accounts from time to time.

Times have changed, and so should our dramas’ approach towards the idea of love and romance. It is not behayai to show that a man and woman can be in love. The idea of spouses being supportive of each other is not some western virus that would corrode the essence of our society. Love changes with age and characters of all age brackets can feel this love. Our dramas have got to start focusing more on the positive side of love because there is a large audience for it as evident by how they make the actors in a drama remotely resembling a love story into overnight stars.

Final word

Love doesn’t make you just cry and it is high time Pakistani dramas leave this mentality behind. Falling in love is not a ticket to damnation and inviting backlash of society. It is empowering and uplifting; a well-written love story that focuses more on these aspects is quite literally the need of the time. After all, our actors are already proving that off-screen, why not give them characters that prove it on-screen?

Perhaps here, the reel can take inspiration from real and television content can move on from ‘trials of love/marriage’ phase it is stuck in now.

More Challenges Ahead For The Release Of ‘The Legend Of Maula Jatt’?

the legend of maula jatt

Ever since its announcement several years back, The Legend Of Maula Jatt has been arguably the most anticipated film in the history of Pakistani cinema, ever. Incidentally, the film has also remained stymied in a prolonged production process and courtroom drama that has seen more than its fair share of ups and downs.

As things stand today, the film has apparently cleared the legal challenges that have been delaying its release for at least a year. Sarwar Bhatti, producer of the original Maula Jatt, who had taken the makers of TLMJ to court over alleged copyright infringement, it seems has finally relented and agreed to withdraw cases against the film, in a public announcement. Reports have also been circulating that the film is all set to hit theaters on Eid-ul-Fitr.

So, what’s next?

However, is there more to the story than meets the eye? Ammara Hikmat and Bilal Lashari, the team behind TLMJ have yet to make any official statement about release plans, although Hikmat said this to Galaxy Lollywood earlier: “With the intervention of few elders, Mr. Bhatti resolved his differences with us and extended his support in the larger interest of the film industry, and we are grateful to them.”

Beyond the public statements, not much is known regarding the extent to which the legal procedures have been followed through. Given the legal limbo that the film had been stuck in, one would expect the filmmakers to come up with some official statement by now regarding their intended plans for the theatrical release. However, that has not happened so far.

Cases withdrawn?

And then there’s the question of Sarwar Bhatti of Bahoo Films, which launched and now have apparently withdrawn the legal challenge against the film for alleged copyright infringement. When Bhatti’s son Mohammad Bahoo Sarwar was asked in a public Facebook group to confirm the development of Bahoo Films taking back their legal cases, he cryptically responded, saying “Time will tell.”

Later when Galaxy Lollywood reached out to Mohammad Bahoo regarding the comment, he said it should be treated as an “ignored comment.” This seemed somewhat baffling since Mohammad Bahoo is very much involved in an official capacity with Bahoo Films, and any comment he makes following the recent turn of events would likely be treated seriously – something he was likely aware of.

Preparing to re-launch

If the film manages to secure a nationwide theatrical release date, the next hurdle would be to reignite the publicity for the film. The film’s first look promo released in December 2018, and after its release was postponed last year on Eid-ul-Fitr and then Eid-ul-Azha, the buzz for the film has gone down substantially from the peak it was it during last year’s first quarter. Historically speaking, postponed projects tend to receive a drubbing at the ticket counters, however here the cause of the delay has legitimately been beyond the power of its makers, and the film is not looking dated either. Most of all, Fawad Khan, Mahira Khan, and Hamza Ali Abbasi are still very much considered stars, therefore it should not be too problematic to jumpstart the marketing campaign.

Having said that, a week has almost past and there’s little by way of a new intriguing teaser, or anything that would suggest that the film is ready to re-launch. Since a huge amount of time has already passed since the film’s last promo, it’s high time a campaign to re-energize its publicity was launched. It is another question altogether of course, that how the audience will respond this time around, therefore the marketing team might have to be more pro-active and creative.

Eid, again?

Much has been said about the film hitting the theater screens on Eid-ul-Fitr, and last year quite a few prominent filmmakers were furious when reports emerged that TLMJ would be releasing on Eid-ul-Azha. Will that be the case this year too? Already, at least three major films, including one starring Fawad himself (Money Back Guarantee) are set to hit theaters on Eid-ul-Fitr. Makers of these films are aware of TLMJ’s potential Eid release, however since no official release date has been announced for the film, it is still somewhat early to talk about a clash.

A similar scenario was witnessed last year too when it was more certain that the film would be coming on one of the two Eids. As was the case then, most filmmakers we reached out to now opined that it would be better for the film to go for a release date where there’s little competition to ensure maximum screen penetration. On the other hand, if Ammara Hikmat and Bilal Lashari do decide to go ahead with an Eid-ul-Fitr release, it is anyone’s guess how that would pan out, however, it is quite likely that TLMJ would have to contend with 2 other Pakistani films during that release slot.

We would be eagerly looking out for any official word from the filmmakers regarding the release plans for the much-awaited project. Till that happens, stay tuned to Galaxy Lollywood to follow the latest developments on this film. Also, let us know in the comments below – would you like the film on Eid?

After Nabeel Qureshi and Saqib Malik It Is Abu Aleeha For Mohsin Abbas Haider’s Comeback Film

mohsin abbas haider film

The previous decade saw Pakistani cinema emerge from the ashes, receiving a fresh lease of life courtesy a bevy of enterprising new filmmakers and actors. NAPA graduate Mohsin Abbas Haider also rose to prominence during this period, making his presence felt not just as a co-host for a popular comedy show but also as a major actor who worked with some of the best talent the film industry had to offer.  

Characters to remember

Mohsin played the character of Moon in Nabeel Qureshi’s Na Maloom Afraad franchise, which attained much popularity amongst the masses and also brought him critical acclaim. With the series, the actor seemed to have tapped into his niche of playing earthy, unconventional roles others perhaps would find challenging – not exactly the leads, but prominent enough to lend him the star value. 

Following his turn as the small-town boy attempting to striking it big in the NMA series, Mohsin next appeared in Saqib Malik’s Baaji as Amna Ilyas’s on-screen love interest. Once again, Mohsin’s performance as Aji received many kudos and it certainly was no small feat to deliver in three consecutive films made by some of the best in the country. Just around the time when Mohsin’s career was set to fly high after a hat-trick of sorts in the world of films, the now well-known scandal involving his former wife struck like a thunderbolt following which the actor hasn’t been seen on screen.

The re-launch?

It seems audiences would not have to wait much longer to witness Mohsin again on the big screen. The Teri Meri Love Story actor is set to make his comeback in director Abu Aleeha’s upcoming film titled Once Upon A Time In Karachi. The filmmaker has made Kataksha and Tevar previously, both of which released in 2019 to a middling response. From what we know, Abu Aleeha prefers to work with the action, thriller and horror genres and his projects tend to have an indie flavor. He is also quite a prolific filmmaker – Once Upon A Time In Karachi will be the fourth feature film he has announced within a span of two years, making him amongst the busiest directors in tinsel town. 

Previously, the director was in the spotlight courtesy his upcoming production titled Half Fry, for managing to cast the hottest couple in town, i.e. Iqra Aziz & Yasir Hussain. While that film remains in post-production and not much is known about its release prospects, Abu Aleeha has gone ahead and announced his fourth film, which along with Mohsin Abbas Haider would also star Nausheen Shah. The duo has already shared screen space in television play Deewar-e-Shab where Mohsin had a brief cameo.

Coming back to OATIK, it has been scripted by the acclaimed writer Ali Moeen, and reports suggest that it will be a gritty social drama, with plenty by way of the entertainment quotient. While the jury is still out on how the project pans out, one can be certain that the film will benefit from Mohsin’s gritty and street-savvy screen presence and this time around, the actor just might surprise us with some action sequences. The rest of the cast is said to include Marhoom Ahmed Bilal, Masroor Paras, and Saleem Meraj.

We can’t wait to update you on the fifth project this film’s director will announce! For that and much more, stay tuned to Galaxy Lollywood!