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Halla Gulla (Review): This comedy of errors is just full of errors and deserves a miss.

Movie Name: Halla Gulla

Release Date: September 25, 2015

Director: Kamran Akbar Khan

Review by: Momin Ali Munshi

 

Can good actors save a terrible movie? That was the only question on my mind when I walked out of the cinema hall after having seen the film ‘Halla Gulla’. It may not have a star studded cast like the other Eid release ‘Jawani Phir Nahi’ but it did have some great actors which include veterans like Javaid Sheikh, Ismail Tara and even the newer lot includes promising actors like Asim Mehmood and Sidra Batool who have already made their presence felt. Moreover the film seemed to have good music, the production values seemed fine too and on paper it seemed as if everything was in the films favor. So what exactly went wrong?

Here I would like to use a paragraph from my ‘Dekh Magar Pyaar Say’ review which perfectly answer this question:-

‘Before a film starts, the opening credits play on screen which give the average cine goer an idea of who is behind the film and what to expect from it. There is a reason why in these credits, the director’s name is the last one to be shown before the film begins. The director is the captain of the ship and has a certain vision when it comes to the film and it is because of this that a film is usually referred to as a director’s film.’

While Asad-Ul-Haq took this job to a different level in his film ‘Dekh Magar Pyaar Say’, Kamran Akbar Khan does something similar too. I have no clue as to what our director did before coming into cinema but I’m fairly certain that this is his first time dealing with direction. Even a rudimentary level of knowledge of cinema is enough to avoid the blunders you see in the film. Let me give you a very basic example. There is a scene in the film where one of the actors is talking to the other and her jhumkha drops and falls onto her hands.Instead of re-shooting the scene the director goes with it. The make up concealing is visible and dont even get me started on the 90’s shots with the camera zooming in and zooming out. The screenplay, whoever did it, is super bad and there is no flow in the film. The editing has its flaws too as some sequences are stretched without reason and you wonder why!

Story

All the director bashing is not fair as Raheela Mushtaq Shah, the writer, has not done a wonderful job either.I promise I tried to write a brief synopsis for you all but sorry my English failed me as I could not produce coherent sentences that could describe what the story was. Basically its a mixture of a dozen films and this comedy of errors has a script which would make Newton question his sanity . New characters are introduced at the drop of a hat and what makes this even more annoying is that there is no character development as such. So you don’t really feel for anyone as you don’t really know anyone.

Acting

The only good thing about the film is that it has given us some young talent. Asim Mehmood and Muneeb Butt are two young actors who will surely go places. They are both good looking men and are hero material for sure. Muneeb may seem to be overacting in the film but it was a comedy film and exaggeration is always welcomed. Moreover  I have a feeling that it was what the director wanted him to do. I say this because everyone in the film is so loud that you cannot help but wonder what the directors vision was. But it would not be wrong to say that these gentlemen have surely arrived! Can’t wait to see more of  Muneeb and Asim on the silver screen.

As for the leading ladies well the less said the better. Sidra Batool is the only actor amongst the lot and knows what she is doing. Wont label her as the next big thing for cinema but she does look good on screen. Ismail Tara and Jawed Sheikh obviously know their comedy and no wonder they have the best scenes in the film. Whenever they make an appearance on the screen a heave dose of laughter follows. Although their roles could have been meatier but they were fun nonetheless.

I must add that the casting of the film could have been better. Muneeb Mutt being married to two women did not look believable at all. Also, when I was at the Lahore premiere of the film I was perplexed when I saw lots of theater artists ( the Nargis, Deedar theater) and wondered what were they doing at a film event. To my shock when the film began  I realized that all these ladies had dance numbers in the film. Im sorry but these songs were outright disgusting, vulgar and suited for the local stage’s where they would surely elicit a few ‘seethis’.

Music

The music of the film has some really peppy numbers and it would not be wrong to say that the music is the saving grace of the film. However the way the songs are picturized is another story all together. The songs might not appeal to everyone but that doesn’t mean they are bad. The ‘Thumka’ song is surely my favorite and had it been shot on someone else it would have done wonders. The ‘Halla Gulla’ song also adds to the film and of course the ‘Saroor De’ song is the highlight. The ‘Zero Meter’ song and the ‘Kamla’ song seem a bit off but on the whole this album is a decent one.

 

Jawani Phir Nahi Ani ( Review): This laugh out loud riot is the definition of good commercial cinema.

Movie Name: Jawani Phir Nahi Ani

Release Date: September 25, 2015

Director: Nadeem Baig

Review by: Momin Ali Munshi

They say actions speak louder than words and this statement could not be any truer for the dynamic Humayun Saeed who, in the form of ‘Jawani Phir Nahi Ani’, has given the film industry something to celebrate. While others only spoke of making films, he in a span of three years, has churned two films already. His maiden production, ‘Main Hoon Shahid Afridi’, which released two years back, gave the local audiences a taste of commercial cinema which was and to some extent is missing from the film scene. The film did get some tongues wagging but at the end of the day the audiences approved of the film and this was motivation enough for the dashing hero to move on.

He vowed to make another film which would be better and grander than MHSA, and keeping true to his promise he started working on something which we all now know as ‘Jawani Phir Nahi Ani’. It would not be wrong to say that he has given us this film which I believe will re-write all the rules of the game and will be used as a benchmark when it comes to defining good masala films.

But before moving to the film, I would like to address those naysayers who will challenge this film by comparing it to the likes of ‘Moor’ and will make bewildering claims. All I would like to say is that you cannot make such comparisons as these films  belong to two completely different genres. It’s like complaining why doesn’t my pasta taste more like my daal chawal? It’s outrageous. As for the debate regarding what a ‘good film’ is and what ‘deserves’ to be a hit, well lets leave that to the audiences. If you ask me, I strongly believe that we need a healthy mix of commercial and art cinema as only then will our industry get its deserved recognition and will grow. Making films which win us critical acclaim is great, but only making such films won’t do us much good too. So for every Moor or Manto we need a Jawani Phir Nahi Ani.

Coming back to the film, here we go.

Synopsis

The first half tells the story of three married friends Saif (Hamza Ali Abbasi), BB (Ahmed Ali Butt) and Sheikh (Vasay Chowdhry) who all have dominating wives and unhealthy marriages. Comes into the picture Sherry (Humayun Saeed), a divorce lawyer, who plans a boys only trip to Bangkok which is meant to bring back some fun in the lives of the three henpecked husbands. Sherry falls in love with  Marina (Mehwish Hayat), daughter of Bichchhi Don (Ismail Tara) .The second half tells the story of  Zoya (Sohai Ali Abro) who is the daughter of billionaire Mehboob Khan (Javed Sheikh) and is about to get married to Sherry. What happens next, well go see for yourself in cinemas.

Acting

Comedy is one of the hardest genres to perform as it requires a certain comic timing which is not an easy task. Moreover, when there is an ensemble cast, there is additional pressure as the comedy should not come across as forced and that there should be chemistry between the actors.

Jawani has a cast which includes some of the biggest names of the industry and they all make the material written by Vasay Chadhry crackle and make this comedy film a treat to watch. The four leading men are at ease and this reflects on the screen as the chemistry between them is effortless. The leading ladies may not have much to do but they are all great in their parts. All in all everyone put their best foot forward in this film.

Humayun Saaed as the main lead of the film looks super dapper and does justice to the role of the ‘hero’. All those people who wanted him to retire need to have a look at him doing his thing in this film before giving in their judgements. However, there is one thing Humayun absolutely cannot do, and that’s dancing. Sorry Humayun, but you can’t dance to save your life, but other than that we surely have a new hero in town.

The other men all do a great job in supporting roles. Vasay and Ahmed deserve a special mention as they perfect the comedic act and guarantee a dose of laughter whenever they make an appearance. Hamza Ali Abassi seems a bit uneasy and does strictly okay. He has nothing to add to the film except for his good looks and the ‘jawani’ part as sadly all the other men don’t exactly count as jawaans!

From the ladies, I would like to start by mentioning Sohai Ali Abro who has the meatiest role and she plays this with utmost conviction. Moreover, she surely has the ‘addayain’ of a heroine and add her dancing skills into the picture and you have the next big thing for cinema. The other ladies which are there as props do their roles well but Sarwat Gillani as the pathan wife surely stands out and deserves a special mention.

Javaid Sheikh and Ismail Tara have interesting roles and both these men showcase their comic timing which is perfection. Bushra Ansari may be doing the ‘Saima Chowdry’ act but is outright hilarious and it’s hugely because of her that the second half looked more appealing.

Direction /Story

Nadeem Baig has arrived and this film will surely make all the industry insiders sit up and take notice. It won’t be wrong to say that ‘Jawani Phir Nahi Ani’ is one of the few films to have come out this year that actually looks like a film. The shots are all cinematic and you do not feel like you are watching a television show on the silver screen, so kudos Mr. Baig.

The story seems to be lifted from here there and everywhere and seems like an old vine in a new bottle. But Vasay Chaudhry makes sure that he puts a desi spin on the story by giving it dialogues which are all very relevant and relatable. There are several pop culture references which are very Pakistani and it’s these references that make the film all the more enjoyable. Moreover, the film has spoofs and what not that take it to the next level of comedy.

However, I do have some complains too. After having seen the film I understand what Hamza Ali Abbassi’s stand on the film was all about. The first half of the film has some unneeded scenes which steer the direction of the film towards adult zone. These scenes might elicit a few laughs from the youth but on the whole kind of put off the family audiences.

Also some of the backstories and logics used are outright hilarious and seem to be used just to wrap things up. There are some questions left unanswered specially regarding Humayun Saeed’s character. But these issues seem minor when you compare them to the ups of the film.

Music 

There may be some very blatant branding in the songs but that does not take away all the fun that the music of ‘Jawani Phir Nahi Ani’ has to offer. Furthermore, it’s the picturisation of the songs which make them even more exciting. The ‘Jalwa’ song may have four men who can’t move a leg, but the gorgeous Sohai Ali Abro in her picture perfect lehenga and dance moves more than makes up for it. The ‘Khul Jaye Botal’ and ‘Dance The Party’ songs might not be perfect party anthems but they are good additions to the album. Similarly, ‘Je Mundya’ and ‘Tarang’ with the elaborate sets and the chic costumes make for a visual treat.

Shoaib Mansoor eyeing ‘Bebo’ for his next

Shoaib Mansoor after his last cinema release back in 2011 (Bol), has probably lived the trademark long interval he takes before starting up every new project. And well, since it’s time, the pot has been whistling us of what’s been cooking inside.

As per the reports of Indian daily, Mumbai Mirror, Shoaib Mansoor has offered Kareena Kapoor his next project after the actress, a few weeks back, showed interest in working with him.

2nd Weekend Box Office: ‘Manto’ continues its glorious run while ‘Swaarangi’ is history

We could see the bad future for Swaarangi when we reported on its first weekend figures, and well, now that foreseen future has become an unfortunate truth. Resham’s comeback film, a film after a long hiatus of eight years, Swaarangi, has gone on a permanent break. All vanished from cinemas.

1st Weekend Box Office: ‘Manto’ packs a solid punch while ‘Swaarangi’ is a complete washout.

11 September was the day when Pakistani Film Industry saw yet another clash as the eagerly awaited ‘Manto’ and Resham’s controversial comeback film ‘Swaarangi’ hit cinemas all over Pakistan.While Manto boasted of a stellar star cast backed by GEO’s crazy promotions Swaarangi marked the comeback of Lollywod diva along with low key promotions. It was evident from the first day itself that Manto would be leading the race given the cinema showtimes but sadly Swaarangi has emerged as a complete washout as it has been dropped from almost all the cinemas and is left with only 6-7 shows across the country.

We talked to Khurram Gultasab, General Manager of Super Cinemas to get his feedback and he commented

‘Manto had an average occupancy of 86% at Multiplexes and  had a 30% occupancy at  single screen circuit cinemas where such films usually do not work at all. As for Swaarangi well it had an almost 0% occupancy at our multiplexes and single screens.’

We also talked to Mohsin Yaseen, General Manger Marketing and Operations at Cinepax and he said

‘Manto has done well at the boxoffice. Its an excellent movie with powerful acting, strong story line and direction. Swaarangi on the other hand was not as a huge a film as Manto and hence did not do as well. The business is just average.’

Here are the official numbers for ‘Manto’ as reported by GEO Films ( courtesy Box Office Detail)

Manto

Friday: 21 lacs
Saturday:  25 lacs
Sunday: 32 lacs

Total: 78 lacs

And given that the number of shows for the film have been increased at many cinemas due to public demand, the box office numbers are bound to show growth.

As for Swaarangi ,any official numbers have not  released but we talked to Zain of Box Office Detail and he gave us a rough figure of 10 lacs as the opening weekend, which is indeed very low.

Let’s see what the coming days hold for both the films.

Manto (Review): A feather in Sarmad Khoosat’s cap, a success at making him people’s Manto

Movie Name: Manto

Release Date: 11 September 2015

Director: Sarmad Khoosat

Review by: Aayan Mirza

Aayan Mirza, Editor Galaxy Lollywood (Karachi desk) wasn’t originally supposed to do this review as Manto had its first premiere in Lahore, on 8th September 2015, and the Lahore team, spearheaded by Momin Ali Munshi, Editor Galaxy Lollywood (Lahore desk) was tasked with all the major coverage of the film. The premiere however, was faced with some mismanagement, which even after some remedial measures by the organizers, turned the overall experience of the team sour. Getting the review done at Lahore after the turn of events was felt a little unfair to the readers and the film itself. And since we at Galaxy Lollywood believe that the film should not, in any way, suffer for whosoever’s wrong the bad experience of Lahore was, here is the review of the film done by our Karachi editor, Aayan Mirza. We apologize for the delay.

Swaarangi (Review): A movie with a soul despite serious shortcomings but not “controversial” at all

The release of Swaarangi became highly eventful because of the series of events and incidents that took place before release. The film was already amongst the eagerly awaited releases because it marked the comeback of Lollywood’s ace-actress Resham after around nine years to the silver screen. The Resham factor was quite big for the spectators but to their disappointment the film was first banned by Central Board of Film Certifications to be released in Islamabad and cantonments areas because of being controversial and “representing an inappropriate image of Pakistan”. Later, its release date was changed to coincide with the release of another eagerly awaited drama film Manto as it got passed by the censor board of Punjab. And then just few days before its release, it was also passed by the censor board of Sindh but followed by remarks from the board’s chairman Fakhr-e-Alam about “the extremely poor quality of the film”. This did not only jeopardize the release of Swaarangi but also created a strange aura around the film and made everyone dubious of it.

Before reviewing the film it is important to bust two myths surrounding the film. The first one is related with having controversial and inappropriate content which could tarnish the image of Pakistan and its answer is straight no. Not at all. I am highly surprised why such unfair and incorrect remarks were given about the film by the Central Board. There is nothing in the film which is anti-Pakistan in any sense or which has not been seen by the people before on TV or cinema. Such stories have even been showed on PTV, but may be in different context and style, but it is nothing indigestible except that if the definition of “anti-Pakistan” has been changed recently.

The second myth is related with the extremely poor quality of the film and it, unlike the first one, carries some weight. The definition of quality is multi-dimensional and if Fakhr-e-Alam was worried about the picture quality, camera work and editing of the film then he was absolutely right as the film really lacked in these departments. Especially the picture quality and camera work is of very poor standard and it will really agonize the viewers who have spent money to watch the film. Their money has a value and the filmmakers should really understand what they are selling to the people who are willing to pay them money even before watching the film. Perhaps, in other departments the film does not disappoint much, so it is also unfair to label the film as having “extremely poor quality” and suggesting the distributors to “voluntarily withdraw the application”. Let the people decide its fate.

Now coming to the content of the film and what it has in its plate to offer, beside its shortcomings.

Swaarangi is set in an impoverished and barren area somewhere in Punjab or Baluchistan and the story revolves around the lives of Salma (Resham), her husband Jamal (Naveed Akbar), their two sons and Zaryaab (Waseem Manzoor) the childhood friend of Jamal who has a bad influence on him and has an ulterior motive to destroy his life. Zaryaab is the supplier of drugs in the area and he works for a powerful and ferocious syndicate Saeein (Ayub Khooso) who has a control over a vast area. Zaryaab makes Jamal take his sons to Saeein to put them on work and it starts a long turbulent journey for Jamal and his two sons. Salma knowing that Zaryaab has done a damage to her family takes steps to teach Zaryaab his lessons. The unconventional ending of the film will surely be a surprise and will stay with you for quite some time.

Phida Hussain, who also gave a cameo performance is the film, as a writer and director of the film tried to give his best but he failed to deliver fully. The major onus of film’s shortcomings fall on the shoulder of Hussain as the leading man behind the project. The film heavily and sinfully lacked in the picture quality, camera work and editing departments. Perhaps, Hussain’s work is not a total mess as it shows his passion and skills both as a writer and director despite some shaky and blurred shots.

Another obvious issue with the film is the language and accent of its characters. Being a story set in a highly deprived and destitute area, the characters speak great Urdu in a an accent that would put many to shame.

Film’s small cast is mostly comprised of the new comers with notable names Waseem Manzoor and Naveed Akbar. Both actors gave good performances. Naveed Akbar’s  performance in the later parts surely impresses as compared to the starting portions. Waseem Manzoor is a gem and has potential for delivering excellence. The actor must be taken seriously and all directors should sit up and take notice of this young gentleman who has a brilliant screen presence. Its his strong performance as Zaryaab which is one of the major plus points of the film.

Besides the male actors, the only lady in the film, Resham was equally good in the film. However, her role was quite limited which gave an impression of guest appearance by the actress. Also, she was looking too beautiful for her character and she probably forgot that women fo such background dont have perfectly manicured nails. Oops.

Ayub Khosoo had a guest appearance and he was as amazing and terrifying as he used to be in the days of yore on PTV as a perfect antagonist.

The background score of the film is an average effort. It could have been better. I had listened to three songs of the film on Patari which are really amazing but to my dismay these are not included in the film. Peeran by Asrar could have been a very good addition.

‘Moor’ selected as Pakistan’s official entry for Oscar consideration.


After winning critical acclaim and shining at the Pakistani box-office, ‘Moor’ is now the official entry from Pakistan for Oscar Consideration in the  ‘Foreign Language Film Award’ category. It is worth mentioning that this is the third time that Pakistan is sending in a film for consideration.  In 2013, the Pakistani Academy Selection Committee selected “Zinda Bhaag” as the first Pakistani film in over fifty years to be submitted for Oscar consideration in the category, followed by “Dukhtar” in 2014 and now ‘Moor’.

Directed, produced and written by Jamshed Mahmood Raza (Jami), ‘Moor’ is based on the decline of the railways system in Pakistan. ‘Moor’, a Pushto word which means mother, follows the tragic story a family pulled apart through corruption and circumstances out of their control. The film is set against the backdrop of the surreal landscapes and roads of Balochistan.

Galaxy Lollywood’s Aayan Mirza in his review of the film said ‘ Moor is by far the best Pakistani cinema has ever offered in terms of overall execution. What a cinematography, what an acting, and what a music.’

But hey, do not confuse this as the official nomination because that is going to be decided by The Academy of Motion Picture Arts and Sciences. They will choose the final nominees for all award categories including Best Foreign Language Film by 08th January 2016. The complete and final list of Oscar nominees will be announced on 14th January 2016 with the presentation show for the 88th Academy Awards scheduled to take place on 28th February 2016.

The Pakistani Academy Selection Committee has just  selected “MOOR” to be submitted for Oscar consideration in the ‘Foreign Language Film Award’ category at the 88th Academy Awards. This decision was made by way of a secret ballot and was the overwhelming film of choice of the Committee members. As per standard practice, films selected by each individual country’s Academy selection committee are submitted to the Academy for screening, shortlisting and voting with official Oscar nominees announced at a later date.

Speaking about the selection of Moor, the members have said:

“Moor is a powerful and beautiful cinematic experience, of a families struggle with good versus evil set in the rugged and stunning landscape of Pakistan.” – Maheen Khan

“Moor pushes the boundaries of cinema in Pakistan. A visual treat, the film reminds us of the history of a land we too often ignore.” – Sharmeen Obaid Chinoy

“The desolate erosion of the magnificence that is Pakistan. A unique insight.” – Aly Khan

“This year we had some very good artistic and independent productions from varied genres to choose from and am delighted with the final selection of Moor for Oscar consideration. The film’s evocative cinematography and performances are sure to strike a chord with audiences across the world. My very best for its onward journey.” – Mazhar Zaidi

“Journey itself becomes our destination and with this submission to Oscars our destination is beyond hope now as we now know that our stepping stone was in the right direction.” – Jami

The Pakistani Academy Selection Committee was chaired by Emmy and Academy Award winning documentary filmmaker Sharmeen Obaid Chinoy and includes Rohail Hyatt (Pakistani musician, songwriter and founder of Coke Studio), Maheen Khan (acclaimed fashion and costume designer and a veteran of the Pakistani fashion industry), Aamina Sheikh (leading Pakistani actor and model), Satish Anand (film-maker and distributor), Faran Tahir (leading international actor renowned for his roles in Hollywood films Iron Man and Star Trek), Alyy Khan (leading international film and television actor who has appeared in numerous films including A Mighty Heart, Don 2, Traitor and Anjuman), Afia Nathaniel (award winning Director and filmmaker whose debut feature film Dukhtar was selected to represent Pakistani cinema in the Foreign Language Award category at the 87th Academy Awards), Mazhar Zaidi (journalist, film producer, director and documentary film maker) and Daniyal Mueenuddin (award winning Pakistani-American author and writer of short stories).

Now if the film gets itself a nomination, that only time will tell.

 

Sindh Censor Board’s objectionable comments on the film Swaarangi are just WRONG!

 

Looks like the controversy surrounding the release of film ‘Swaarangi’ is not dying anytime soon. It started with Central Board of Film Certification’s ban whereby the film could not release in Islamabad and cantonment areas throughout the country. Then things took a positive turn when the Punjab board passed the film and that to without a single cut. Things seemed to be going further in the right direction when the Sindh Censor passed the film without a single cut. However it is the additional feedback that has come with this decision is what has me all angered.The comments made by Fakhre Alam, Chairman of Sindh Censor Board were totally uncalled for and should not have been made.

For those unaware. Here are the tweets made by Fakhre Alam, Chairman of Sindh Censor Board, who on his twitter account spoke on behalf of the whole board and said ‘Swaarangi’ shouldn’t be released because of its poor quality.

A censor board is supposed to censor a film and see if its fit for viewing. If they think its fit for viewing that is where the job ends.The censor board does not have the right to decide whether if a film is a good enough for release or not based on the quality of the film.

Having worked at the prestigious HKC Entertainment last summers I had the opportunity of seeing how the censor process works. The first thing I was told by my boss, the visionary Hammad Chaudhry, was that when a film is being censored it is not being reviewed. People  inside the censor screening do not have the right to publicly comment on the quality of the film up until the point the film releases in cinemas or has a screening where people are invited to see the film and review it.

Giving your feedback after the censor screening and shaping peoples opinion is not the right thing to do! I strongly feel that what Fakhr-e-Alam and the Sindh Censor Board did is just wrong and should be condemned!

What is your take on this entire situation?

Box Office Week Three : ‘Moor’ doing well, ‘Shah’ is decent while ‘Dekh Magar Pyaar Say’ is out of cinemas.

We cannot vouch for the authenticity of these box office numbers given by independent box office tracking sites. But until the official numbers come from the makers themselves or until we have some official box-office tracking system in Pakistan this is all we have got. Also the numbers are revised at times and hence you may find th numbers a bit different for certain days.

This Independence Day was surely special as not one, nor two, but three Pakistani films were releasing all over Pakistan. What made this clash even more interesting was the fact that the genres of the three films were completely different. While ‘DMPS’ was a commercial film pegged as a romantic comedy, the off beat films ‘Shah’ and ‘Moor’ were a biopic and drama respectively. Moreover all these films had to face tough competition from the Bollywood release ‘Brothers’ as well as the past releases ‘Wrong Number’ ‘Bin Roye’ and ‘Karachi Se Lahore’.

The first day proved to be a success for all the films as each of them recorded great numbers. While ‘DMPS’ being a commercial film was obviously the one with the biggest collection, ‘Shah’ and ‘Moor’ also clicked with their target markets and recorded healthy numbers.

But once the first day ended, the audience had their feedback ready and this word of mouth was spreading like wildfire. ‘DMPS’ got bashed by both critics and the general public while ‘Shah’ and ‘Moor’ won laurels. This was clearly visible in the numbers as the collections of ‘DMPS’ fell while ‘Shah’ and ‘Moor’ grew. But since ‘DMPS’ had huge collections on the first day the first weekend was decent.

But the real fall for ‘DMPS’ came on Monday as it was left with about 30% of the shows it was originally supposed to have and this is not a good sign for a film. Even these shows were played to a limited crowd as the negativity had spread and nobody wanted to see the film. Thursday was the last day for the film as it is no more playing in cinemas ( except for maybe two or three screens ) and thus the film had a lifetime of only 7 days. This weekend was probably the last three days for the film at the remaining few screens and looks like this film will end on a 2.2-2.3 crore lifetime which means the film is a flop.

As for ‘Shah’ and ‘Moor’ they are strictly okay at the box-office. Yes, they were off-beat films, made for a certain section but still the numbers haven’t really been super-impressive and going by the decrease in shows it seems like the coming week will be the last few days at the box office for the films. A life-time of 1-1.25 crore seems to be on the cards for these films.

‘Moor’ has shown what magic the word of mouth is. The film started slow but picked up due to the positive reviews. Moreover the bigger surprise is that the film has managed to hold really well in the second week. Most people, us included, thought the film would not be able to make it past the second week due to its niche appeal. But proving us wrong the film has managed quite a successful week two and is going strong. A testament to its success is Lahores Super Cinema Vogue which had one show reserved for the film but had two shows for the film in week two. Shah is holding decent as well. But ‘DMPS’ as mentioned earlier is history!

Third week saw ‘Moor’ holding well and running to packed houses at select cinemas whereas ‘Shah’ also did decent business. ‘Dekh Magar Pyaar Say’ had maybe three-four shows and once the third week came to an end the film is now completely out of cinemas.

Here are the numbers:-


Dekh Magar Pyaar Say

  • Day 1-3 Friday-Sunday: 1.75 crore
  • Day 4-7 Monday-Thursday: 0.40 crore
  • Day 8-10 Friday-Sunday: 0.04 crore (4 lacs)
  • Day 11-14 Monday-Thursday: 0.03 crore (3 lacs)
  • Day 15-21 Friday-Thursday:  0.025 crore ( 2.5 lac)

Total: 2.245 crore


Moor

  • Day 1-3 Friday-Sunday: 0.62 crore
  • Day 4-7 Monday Thursday: 0.23 crore
  • Day 8-10 Friday-Sunday: 0.21 crore
  • Day 11-14 Monday-Thursday: 0.20 crore
  • Day 15-21 Friday- Thursday: 0.22 crore

Total: 1.47 crore


Shah

  • Day 1-3 Friday-Sunday: 0.60 crore
  • Day 4-7 Monday-Thursday: 0.15 crore
  • Day 8-10 Friday-Sunday: 0.12 crore
  • Day 11-14 Monday-Thursday: 0.08 crore
  • Day 15-21 Friday-Thursday:   0.07 crore

Total: 1.02 crore


Lets see what happens in the coming days. You stay tuned to Galaxy Lollywood.